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	Search results for Library    Refine your search Creator 18 () 5 () 4 () 3 () 3 () Show more... results 241-260 of 456 item(s)  page 13 of 23 : ( <<  11  12  13  14  15  16  17  18  19  20  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 241. [Bookplate for Herbert Fairbairn Gardiner] Black ink on cream paper. Thin black border surrounds the text and image on the bookplate. At the top of the bookplate, within the border, is printed black gothic text. Below the text is a portrait photograph of the bookplate owner showing a balding white man with a large moustache in a black suit with a white shirt and bow tie. The photograph has a thin black border. Below the photograph is large, black, sentence case font. Underneath this text is the same font in a smaller size. 242. [Bookplate for Henry Young and Alice Young by Joseph Winfred Spenceley] In black ink on beige paper. In the centre, standing on the name plate, is the image of knight crusader, holding with outstretched arms a broad ribbon inscribed with the word "Credo." His Norman pointed shield hangs in front of his sword from a strap at his left hip ; the charges, untinctured, are: barry of five, in canton a leopard contournd. At either side of him rises a large acanthus-like scroll surmounted by a leopard's head ; behind him hangs an arras curtain, draped and knotted at the top. Across the base ripples a ribbon, inscribed "Ex libris Henry and Alice Young." The whole is enclosed in a narrow, formal frame. 243. [Bookplate for Henry Neville Gladstone] This is an armorial bookplate with a rampant demi-griffin (rising from a wreath), which in its dexter claw, clutches a palewise dagger. "Fide et virtute" [by faith and valour] is written on a banner above the griffin. 244. [Bookplate for Henry Flitcroft] In black ink, this chippendale-style bookplate consists of an asymmetrical escutcheon, or (gold), containing two chevronels, gules (red), each with the appearance of a label. The top chevronel is an elevated label, while the base chevronel is an inverted label. The label is a heraldic symbol representing the first son. The escutcheon also contains two escalopes over one fleur-de-lis. In typical chippendale fashion, the escutcheon is surrounded by elaborate floral mantling. Below the escutcheon is a banner containing the originator's name and place of origin. 245. [Bookplate for Henri Rainville] This bookplate depicts a large, bespectacled rat, dressed in what appears to be eighteenth-century attire and displaying a prominent tail and whiskers. Facing away from the viewer, the rat is seated at a table in front of a window, through which the leaves of a tree can be seen. The rodent holds a quill pen and is poised to continue writing in a book that is propped open on the table with a second, closed volume. 246. [Bookplate for Hart House] This bookplate's design is divided into three sections. At the top, the University of Toronto shield sits to the left of the text. In the middle is a picture of Hart House as seen from above. The name of the donor is in the lower third. 247. [Bookplate for Hart House Library by J. E. H. MacDonald] Brown ink on tan paper. Plate divided into three sections. At the top, the University of Toronto shield sits to the left of the text. In the middle is a picture of Hart House as seen from above. At the bottom is the name of the donor. 248. [Bookplate for Harry Hereford by J. B. C.] Printed in black ink on cream coloured paper. The image depicts the surface of a writing credenza which has a small drawer with a twisted handle on its front edge. The surface of the desk holds a closed vellum-bound book. To the left of the book is a small pile of stamped, addressed letters and a single candlestick with a lit candle. To the right of the book sits an inkwell with a quill pen resting in it. The entire scene is framed by two line borders ; the interior line is thicker than the exterior one. 249. [Bookplate for H. Schofield] A textual bookplate with a simple border. 250. [Bookplate for H. B. Descrochers] Black ink on cream paper. A chain border surrounds the title of Descrochers’ private library. A blank number line is printed below the title. 251. [Bookplate for Green Hat Lending Library] Text explaining borrowing terms printed in black ink. 252. [Bookplate for Gordon Elliott] In blue ink on white paper, text within a single blue line border. 253. [Bookplate for Goodwin's Limited] A decorative border is printed in green ink. Inside at the top left is the Goodwin's script logo "G" on a maple leaf printed in green ink. Text is printed in black ink and three fonts, including the Goodwin's Limited logo script. There is a tear in the bottom right corner and a light "X" drawn across the plate in pencil. 254. [Bookplate for Gladys Lillian Boyd] In black ink. A partial globe resting on clouds surrounded by books and paper. Above is an old printing press on which is perched a bird with a half circle of sun rays surrounding it. 255. [Bookplate for Girls’ Reading Room Lending Library] Black ink on orange paper. Border consists of thin black lines with small, round floral decorations. Inside the border, there are several lines of text. The first is in small, bold, black, serif font. The next line is in large, black, capitalized serf font with decorative first letters for reach word. The next line of text has decorative arrows on either side and is printed in small, black, capitalized sans serif font. The next line is in slightly larger black, capitalized, serif font. Underneath is small, italicized thin black serif font with a dotted line for a handwritten number. There is jagged line separating the above font from a short description of the lending terms, printed in black times new roman font. 256. [Bookplate for Gerald Lynham Porte Grant-Suttie] In black ink on white paper, this bookplate consists of a shield Azure (blue), three eagles displayed two over one, a chief, Or (gold), a demi-lion rampant queue fourche. Issuing out of a Crown Vallary, the crest of a demi-lion rampant queue fourche and holding in the forepaws a star of seven points. Below the escutcheon, a banner bears the motto 'VINCIT QUI POSSE CREDIT' [Latin = He who believes that he can, succeeds]. 257. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font. 258. [Bookplate for George Wilbraham] In black ink. Escutcheon parted per pale, the sinister half azure, a bend, argent, engrailed, two bendlets, or, on either side. The dexter half parted per cross. The first and fourth quarters, argent, bendy of seven, argent and azure. The second and third quarters, barry of five, argent and azure, a canton, sable, with a wolf. Above the escutcheon is a straight crest wreath topped with a wolf. Below the escutcheon is a banner containing the Latin motto. 259. [Bookplate for George T. Turner by H. L. Peckmore] This philatelic bookplate consists of images of eight stamps. Six of the stamps (one elongated stamp in brown ink, two stamps in blue ink, and 3 in red ink) encircle a large circular stamp printed in black ink. At the lower right corner of the bookplate is the eighth stamp, printed in brown ink. Those stamps which are identifiable include: The stamp containing a hand of cards represents a stamp from the New York Consolidated Card Co., in use from 1876 to 1883 ; the stamp of a healthy man assualting a skeleton represents Sc. RS56, from 1880 for William E. Clarke - Hunt's Remedy ; the stamp containing a battleship represents a an issue from the Battleship Series of1898 ; and the stamp containing a bi-plane in the lower right corner represents the 1918 First Airmail Series - 6 Cents Curtiss Jenny. The remaining stamps have not been exactly identified. A circular seal at the lower left corner of the bookplate contains the originator's name and date ; and at the middle base is a rectangular box containing an identification of the library and an image of a set of books between book-ends. To the right can be found the artist's mark, "H. L. Peckmore". H. L. Peckmore & Son is a US printer of philatelic materials. 260. [Bookplate for George Murray Humphry] Bookplate design consists of text with lined border surrounding. select all : clear all : add to favorites results 241-260 of 456 item(s)  page 13 of 23 : ( <<  11  12  13  14  15  16  17  18  19  20  >> ) :: previous : next
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